Navigating Zimbabwe and her Diaspora: Through the Years
Inside Harare Alcatraz and Other
Short Stories Reviewed by Tariro
Ndoro
When it reaches the bookshops in your neighbourhood soon in the first
half of 2024 you may see that Inside
Harare Alcatraz and Other Short Stories offers a fine assembly of different
tones, voices, and settings, giving a view of a Zimbabwe and her Diaspora that
is multifaceted writes Tariro Ndoro.
Zimbabwe’s socio-political landscape and the acutely complex
circumstances of the Zimbabwe diaspora informs the eleven stories that form
Andrew Chatora’s fourth book and debut short story collection, Inside Harare
Alcatraz and Other Short Stories. Told from the viewpoints of several
narrators living in diverse locales, Inside Harare Alcatraz and Other Short
Stories touches on the themes of turmoil, tenacity, broken society and sometimes
sheer desperation.
When it reaches the bookshops in your neighbourhood soon in the first
half of 2024 you may see that Inside
Harare Alcatraz and Other Short Stories offers a fine assembly of different tones,
voices, and settings, giving a view of a Zimbabwe and her Diaspora that is
multifaceted writes Tariro Ndoro.
The collection opens with the scene of a man being thrown “kicking and
screaming” into a Harare jail cell in the title story, “Inside Harare
Alcatraz” which takes place in Harare’s maximum-security prison. The prison
is nicknamed ‘Alcatraz’ after the now defunct impenetrable and infamous
Alcatraz Federal Penitentiary Prison off the coast of San Francisco. In this
story, Chatora weaves the tale of an unnamed man who is assigned to go to this
prison and pretend to be a prisoner in the same cell as two “infamous”
political prisoners, highlighting the harsh and politically abused environs of
Zimbabwe’s correctional services. In this story, Chipendani the protagonist
must make difficult and surprising choices that will change the shape of his
life forever.
However, the bulk of the book is set in Dangamvura, a township in
Mutare, Zimbabwe’s third largest city. Although Chatora has affectionately
mentioned both Dangamvura and the greater Mutare in his first two books, it is
in Inside Harare Alcatraz that he fully pays homage to his
hometown.
“Estelle the Shebeen Queen and Other Dangamvura Vignettes,” for instance, is the story of a
Dangamvura shebeen queen who runs a not
so covert brothel in which she employs her own daughters:
I was privileged enough to be neighbours with Estelle
and only lived two doors away from her. Estelle was an unmarried woman in her
late fifties with a brood of daughters, who mostly were single mothers crowding
at her famed 4 roomed house; kwaMagumete as it was called; though it beats me
how they were able to live comfortably under such squalid conditions of
overcrowding, constantly stepping on each other’s toes. The irony growing up in
my hood, Estelle’s house was termed four roomed house but in reality, they were
two bedroomed houses itself an indictment of the colonial regime which never
seem to take into account the big number of African families and how they could
benefit from corresponding adequate housing.
Chatora fully describes the underbelly of township life as he details Estelle’s
and her daughters’ methods of ensnaring
hapless patrons and then mortgaging their debts to the hilt. These women are
villains but, like in Yasher Kemal’s Memed My Hawk, the villain can as
well be a plausible hero. Estelle and her daughters must be hitting back at
society that has always disposed women.
In one other story in this book, one family, the Chatikobos, barely
survives. Later on, Chatora delineates the foibles of the newly rich black
middle class in “Of Sekuru Kongiri and Us” as one man sacrifices his cultural
upbringing at the altar of upward mobility. His wife is a louder expression of
what Kongiri is able to hide about himself. After the sinister matter-of fact
tone displayed in “Estelle the Shebeen Queen,” “ Of Sekuru Kongiri
and Us,” one has already experienced a more playful side of both Dangamvura
and the author.
Chatora then uses the template of court hearings and legal procedure to
illustrate gender politics and the violence that often surrounds sex. Two such
stories are “A Snap Decision” and “Tales of Survival: Avenues and
Epworth.” The former takes place in the United Kingdom, in which a woman;
Pamhidzai has been accused of killing her mother’s lover. The story is, in many
ways, reminiscent of Jag Mundhra’s 2006 film, Provoked, which tells the
story of a young Indian woman who migrates to the United Kingdom for an
arranged marriage and yet she only face years of abuse at the hands of her
husband. Seeing no other way out for herself, she snaps and burns him alive. Chatora
has a knack for steeping his stories in legal complications. You may want to
coin a term legal-literature around Chatora’s works.
In “A Snap Decision,” the protagonist, Pamhidzai, endures abuse
at the hands of a revolving door of men who date her mother. In the end, she
stabs the last one to death. Pamhidzai’s story also highlights the effect of
emigration on African families, a theme Chatora often visits in his other books:
It was moments like these when I felt myself
spiralling into a dark pit of despair, I was unable to extricate myself from or
to claw myself out of. Why did I have to belong to such a dysfunctional family
as ours? I hated mummy more and blamed her for driving dad away in the first
place.
“Tales of Survival: Avenues and
Epworth,” on the other hand, describes the life stories of
several sex workers living in one of Harare’s diciest ghettoes – Epworth.
Herein Chatora highlights the social and economic ills that force young women
to take to sex work when they are robbed of other choices. But the most
important thing is that several key people try to put a stop to all this.
Whether this is achieved or not, is for the reader to decide.
Andrew Chatora’s Short stories remind me of what Elizabeth
Bowen’s words that the short story, more than the novel, is able to place man
alone on that "stage which, inwardly, every man is conscious of occupying
alone."
Chatora’s other books, Diaspora
Dreams, Where the Heart Is, and
Harare Voices and Beyond are set in Thames Valley, England with several
scenes set in Zimbabwe. The three books
have the story of one family told in long form fiction over a long period of
time. Not so with Inside Harare Alcatraz and Other Short Stories. In
this instalment, Chatora uses more characters to inhabit more locales and the
greater part of the book is set in his native Zimbabwe. From the jail cells of
Chikurubi to the leafy suburbs of Harare, Chatora methodically reveals the
desperate lives of the base.
Inside Harare Alcatraz and Other Short Stories is available through https://kharispublishing.com
and major online retail sites such as Amazon, Barnes & Noble, Christianbooks.com,
Walmart, etc., or by contacting the author at: ajchatora@gmail.com
Order your copy today!
Reviewer Biography
Tariro Ndoro is a Zimbabwean poet
and storyteller. Born in Harare but raised in a smattering of small towns,
Tariro holds a BSc in Microbiology and an MA in Creative Writing.
Her work has been published in
numerous international journals and anthologies including 20.35 Africa: An Anthology of Contemporary
Poetry (Brittle Paper, 2018), Kotaz, New
Contrast, Oxford
Poetry, and Puerto
del Sol. Her poetry has been shortlisted for the 2018 Babishai Niwe
Poetry Prize and awarded second place for the 2017 DALRO Prize. Agringada is her debut
collection.
